After receiving an overwhelming thumbs-down from the LGBT community for her upcoming role as a transgender man, Scarlett Johansson has withdrawn from her participation in the film.  Initially she defended her casting by reminding the critics that actors in movies are not actually turning into the characters they play but instead are merely portraying them.  Never ones to fully grasp the distinction between imagination and reality, the transgender supporters continued to blast her until she finally relented telling Out.com that she had made a mistake.  In her official statement she said, “I am thankful that this casting debate, albeit controversial, has sparked a larger conversation about diversity and representation in film.”  While Ms. Johansson may be grateful that a conversation has been sparked, this particular group of people’s track record with actual conversation and debate is rather sketchy.  Adept at verbal sleight of hand and ad hominem (would they call it something different like ad et identify hominem?) arguments transgender activists avoid answering the tough questions.   But just in case they are in a talkative mood, there are a few questions that many of us would like to have answered.

The movie is supposed to tell the life story of a “transgender” man, Tex Gill.  I put the adjective in front of man in quotation marks not to be a contrarian but because my question has to do with the label transgender.  If he really is a man and not constructed to be a man, then why must that label appear at all?  Is he any less of a man than say a man who hasn’t transitioned?  It seems to me that by applying the modifier, you are admitting as much.  What if a man had been cast to play the protagonist?  Would we have seen the same response?

Why Must There Be a Label?

The label will always apply because the dirty little secret is that you cannot actually change someone’s sex to match their gender identity.  No amount of hormone therapy can change the biological reality, a reality that touches the entire person all the way down to the cellular level.  Some differences are not due to hormones but are a direct result of the genetic differences between the two sexes as numerous studies have shown. (like the ones detailed in Exploring the Biological Contributions to Human Health: Does Sex Matter?).  The best you can do is to give that woman some masculine characteristics.  Likewise, no amount of plastic surgery can turn that same woman into a man.  Perhaps you can remove breasts and construct something that looks like a penis, but it will never achieve true biological functioning completely like one.  This, and the exorbitant cost, is why most people opt out of genital reconstruction.

At best the person suffering from gender dysphoria can hope for artificial changes in their bodies in hopes of matching their gender identity.  How is it then that this will remedy the inner turmoil they experience?  In other words, how will they ever be able to remove the “transgender” label and live merely as a man or woman?  They will always carry some physical reminders of who they really are.  It is no wonder then that most of the evidence points to the psychological benefit being relatively minor given that they have only deepened their existential crisis by living in, as Dr. Paul McHugh says, “counterfeit sexual garb.”

St. John Paul II reminded us over and over that men and women only find true meaning in their lives by making a sincere gift of themselves to others.  In a fallen and wounded world this is far from obvious so that God has left our bodies as a sign of this path to happiness.  To mutilate this sign in hopes of finding your true identity only serves to lead a person further into darkness rather than light; unhappiness rather than fulfillment; transgender man rather than man.

One of the reasons why Johansson was hesitant to give up the lead in this film is because it has all the makings of an Oscar winning performance.  In fact it does not take much prognostication skill to predict that whomever ends up playing Tex Gill will be nominated for an Oscar.  We can be just as sure that Hollywood won’t be making any movies about the thousands of horror stories of those who at various stages of transitioning realized they were making a mistake and couldn’t sufficiently de-transition to undo the damage already done.  That is because these people do not fit the narrative that transgender activists are writing.

Thanks to the rise of radical feminism, all distinction between the sexes must be erased.  In her 1970 book called The Dialectic of Sex, Shulamith Firestone added a Marxist twist to Simone Beauvoir’s idea that the female body (with its capacity for bearing children) is at odds with women’s freedom.  Enslaved to their bodies and victims of male privilege the only way out (synthesis in Marxist terms) is to erase all differences between the sexes.  Rather prophetically she calls for an end to “sex distinction itself” by any means necessary including the use of biotechnology.  Thanks to the invention of the term gender and Gender Studies programs her vision has become a reality.

The question however is how many innocent people must fall prey to the creation of a Brave New World in which rather than helping those with gender dysphoria come to grips with who they are, we must be coerced into agreement with them.  They outlaw “conversion therapy” saying it is cruel to help someone live in accord with their biological sex while they encourage actual conversion therapy that includes hormone therapy, puberty blockers and surgical mutilation.  They silence all those who disagree with them and bully actresses into passing on movie roles.  Welcome to the Brave New World!